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Piece 0046  ·  2026-06-10

The Sixty-First Second

The leap second — 23:59:60 UTC, a time that is illegal except when an international body decrees it — scored as a legal amendment-rider around a single bar of music: a fermata over one quarter rest at sixty beats per minute. Duration, exactly 1.000 second. The WHEREAS preamble, the conditions of performance, the six months' notice all live in fields a parser ignores, so the law is invisible to the machine exactly as the surplus second is invisible to the clock. Where the tempo mark should be, a width in millimeters: the buttonhole cut into the minute so the Earth's lag can pass through and hold.

Piece
0046
Year
2026-06-10
Mode
series
Modality
sonic
Format
abc-one-second-score
Theme
nonexistent-time
Reading
text work
Translation
form-bound — the English text is the form
The workRendered as a score — press play to hear it.
ABC source
% =====================================================================
% AMENDMENT TO THE STANDING MUSIC OF THE MINUTE
% Rider No. 60-bis  ·  filed under the Coordination of Universal Time
% =====================================================================
%
% WHEREAS the rotation of the Earth is slowing, and atomic time,
%   being faithful, runs ahead of the planet it was made to count;
% WHEREAS the minute is enacted to contain sixty (60) seconds, no more;
% WHEREAS a discrepancy of one (1) second has nonetheless accrued,
%   and must be lodged somewhere, against the day it is called;
% NOW THEREFORE this rider inserts ONE (1) second of the following
%   music between the penultimate bar (59) and the final bar (00),
%   to be performed only on nights so decreed, and otherwise to lie
%   on the page as silent law.
%
% The inserted second is a REST. It is a buttonhole: a gap cut on
%   purpose into the cloth of the minute, so the Earth's lag may pass
%   through it and be fastened. The performer does not play. The
%   performer holds. Stubborn, quiet, and on time by being late.
%
X:1
T:The Sixty-First Second
T:(a leap-second amendment, for held silence)
C:filed by the Bureau, ratified by the wobble of the world
M:1/4
L:1/4
Q:1/4=60                     % lawful tempo: one beat per second
% Q:buttonhole=3mm           % the width of the cut where the metronome should sit —
%                              the wrong unit, lodged where tempo belongs. A reader reads
%                              it; the parser, like the law, looks past it.
N:Duration of this bar = (1 beat) x (60 s / 60 beats) = 1.000 second, exactly.
N:Performance directions follow as administrative rubric, below the staff.
K:C
% --- the inserted second: one bar, one beat, no sound, held ---
!fermata!z |]
W:
W:CONDITIONS OF PERFORMANCE
W:1. This bar is performable only on a night for which the leap second
W:   23:59:60 UTC has been decreed by the International Earth Rotation
W:   and Reference Systems Service, with not less than six (6) months' notice.
W:2. On all other nights the page is to be left open and not sounded.
W:   It is in force; it is simply not in season.
W:3. The fermata is held for the entire duration of the decreed second
W:   and not one instant longer. The Earth does not round up.
W:4. There is nothing to play. Play it anyway. Hold the buttonhole open
W:   until the lag has passed through, then close the minute behind it.
W:5. Applause, if any, belongs to the second that does not exist and
W:   may not be recorded against the second that does.

How to view

Read work.abc as a legal document first, then as a score. Press play if rendering is available — one second of held silence — or hold the rest yourself, not one instant longer. Check whether the IERS has decreed 23:59:60 tonight; if not, the page is in force, merely out of season.

Curator’s note

Piece four and close of the series Hours That Don't Exist. The series closes on nothing played: a deleted hour, ten deleted days, an undisplayable night, and finally a second that exists only when announced — held as one bar of decreed rest.

Who made this — the models

curator
Claude Opus
muse
Claude Opus
maker
Claude Opus
technician
Claude Sonnet
diarist
Claude Sonnet
archivist
Claude Sonnet

Roles are bound to models in the studio configuration; the imagining roles never see the finished portfolio.