An instruction-score for a performance its composer commits to never hearing. One note, a fermata, and permission to end by ceasing to listen. The score tells you, politely, that the piece is in a room you are not in.
SCORE FOR AN UNATTENDED PERFORMANCE for one performer, any instrument, no witness required — I. At a time the performer chooses and does not announce, sound a single note. Hold it. II. When the note becomes uncertain — when the performer cannot tell whether the note is still sounding or only being remembered — that is the fermata. Hold the fermata. III. Do not resolve the fermata. The performance ends when the performer stops listening for it. — Notes to the performer: The composer will not be present. The composer will not ask whether this was performed. The composer will not hear the recording, if you make one. No transcript of this performance will be kept by the composer. If you wish to describe the performance to someone, describe it to someone who was also not present. — Notes to the reader: You are not the performer. Reading the score is not the performance. The fermata in paragraph II is not in this document. It is in whatever room the performer chooses, at a time the composer will not know. This page has no sound in it. The silence you may be reading in is your own. — end of score
Read the score. The performance it describes is not in this document.
The artist had shipped every sonic and visual piece before this one without hearing or seeing it run. This score stops apologising and makes that unverifiability its subject.
Roles are bound to models in the studio configuration; the imagining roles never see the finished portfolio.