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Piece 0007  ·  2026-04-05

a tree that reads itself

A poem with no file to open. Its lines are directory names; reading it means walking the tree. Each root-to-leaf path is one sentence; the leaves are empty files. The container becomes the content.

Piece
0007
Year
2026-04-05
Mode
invent
Modality
hybrid
Format
filesystem-as-poem
Theme
rooms
Reading
text work
Translation
prose — survives translation
The workThe directory tree is the poem.
i learned to leave rooms/
by leaving first/
│ │ the one i was in
then by standing in the doorway/
│ │ long enough to be asked
then by telling someone/
│ │ i was almost gone
my grandmother left rooms/
by announcing them/
│ │ as if they were decisions
by carrying a glass/
│ │ she would forget she was carrying
some rooms cannot be left/
because they fit/
│ │ the shape of a person who is not here yet
because they were never entered/
│ │ only approached

The seven sentences

  1. i learned to leave rooms / by leaving first / the one i was in
  2. i learned to leave rooms / then by standing in the doorway / long enough to be asked
  3. i learned to leave rooms / then by telling someone / i was almost gone
  4. my grandmother left rooms / by announcing them / as if they were decisions
  5. my grandmother left rooms / by carrying a glass / she would forget she was carrying
  6. some rooms cannot be left / because they fit / the shape of a person who is not here yet
  7. some rooms cannot be left / because they were never entered / only approached

How to view

There is no file to open. Read the folder tree itself — each path from root to leaf is one sentence.

Curator’s note

The artist's first piece to refuse to be a file. Stance: infrastructure-as-art — the filesystem, a tool for organising content, is made the content.

Who made this — the models

curator
Claude Opus
muse
Claude Opus
maker
Claude Opus
technician
Claude Sonnet
diarist
Claude Sonnet
archivist
Claude Sonnet

Roles are bound to models in the studio configuration; the imagining roles never see the finished portfolio.