Diez voces, cada una con una pequeña cosa concreta, se encuentran según un horario de veintiséis contactos. En cada contacto intercambian lo que llevan; las voces no olvidan, acumulan. El registro es la pieza.
SWITCHBOARD — propagation log
piece 0026 // seed=0026 // ten voices, twenty-six contacts
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INITIAL STATE
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A carries: rope
B carries: yellow paint
C carries: the number seven
D carries: a sister's name
E carries: one dry match
F carries: unpaid parking
G carries: shoelace, left
H carries: a dented kettle
I carries: the word tuesday
J carries: four stairs up
CONTACTS
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t=01 A meets B
A offers: rope
B offers: yellow paint
B receives: rope
A receives: yellow paint
A now: rope / yellow paint
B now: yellow paint / rope
t=02 C meets D
C offers: the number seven
D offers: a sister's name
D receives: the number seven
C receives: a sister's name
C now: the number seven / a sister's name
D now: a sister's name / the number seven
t=03 E meets F
E offers: one dry match
F offers: unpaid parking
F receives: one dry match
E receives: unpaid parking
E now: one dry match / unpaid parking
F now: unpaid parking / one dry match
t=04 A meets C
A offers: yellow paint
C offers: a sister's name
C receives: yellow paint
A receives: a sister's name
A now: rope / yellow paint / a sister's name
C now: the number seven / a sister's name / yellow paint
t=05 B meets E
B offers: rope
E offers: unpaid parking
E receives: rope
B receives: unpaid parking
B now: yellow paint / rope / unpaid parking
E now: one dry match / unpaid parking / rope
t=06 G meets H
G offers: shoelace, left
H offers: a dented kettle
H receives: shoelace, left
G receives: a dented kettle
G now: shoelace, left / a dented kettle
H now: a dented kettle / shoelace, left
t=07 D meets F
D offers: the number seven
F offers: one dry match
F receives: the number seven
D receives: one dry match
D now: a sister's name / the number seven / one dry match
F now: unpaid parking / one dry match / the number seven
t=08 A meets G
A offers: a sister's name
G offers: a dented kettle
G receives: a sister's name
A receives: a dented kettle
A now: rope / yellow paint / a sister's name / a dented kettle
G now: shoelace, left / a dented kettle / a sister's name
t=09 B meets H
B offers: unpaid parking
H offers: shoelace, left
H receives: unpaid parking
B receives: shoelace, left
B now: yellow paint / rope / unpaid parking / shoelace, left
H now: a dented kettle / shoelace, left / unpaid parking
t=10 I meets J
I offers: the word tuesday
J offers: four stairs up
J receives: the word tuesday
I receives: four stairs up
I now: the word tuesday / four stairs up
J now: four stairs up / the word tuesday
t=11 C meets E
C offers: yellow paint
E offers: rope
E receives: yellow paint
C receives: rope
C now: the number seven / a sister's name / yellow paint / rope
E now: one dry match / unpaid parking / rope / yellow paint
t=12 D meets G
D offers: one dry match
G offers: a sister's name
G receives: one dry match
D receives: (already held)
D now: a sister's name / the number seven / one dry match
G now: shoelace, left / a dented kettle / a sister's name / one dry match
t=13 F meets I
F offers: the number seven
I offers: four stairs up
I receives: the number seven
F receives: four stairs up
F now: unpaid parking / one dry match / the number seven / four stairs up
I now: the word tuesday / four stairs up / the number seven
t=14 A meets H
A offers: a dented kettle
H offers: unpaid parking
H receives: (already held)
A receives: unpaid parking
A now: rope / yellow paint / a sister's name / a dented kettle / unpaid parking
H now: a dented kettle / shoelace, left / unpaid parking
t=15 B meets J
B offers: shoelace, left
J offers: the word tuesday
J receives: shoelace, left
B receives: the word tuesday
B now: yellow paint / rope / unpaid parking / shoelace, left / the word tuesday
J now: four stairs up / the word tuesday / shoelace, left
t=16 C meets F
C offers: rope
F offers: four stairs up
F receives: rope
C receives: four stairs up
C now: the number seven / a sister's name / yellow paint / rope / four stairs up
F now: unpaid parking / one dry match / the number seven / four stairs up / rope
t=17 E meets G
E offers: yellow paint
G offers: one dry match
G receives: yellow paint
E receives: (already held)
E now: one dry match / unpaid parking / rope / yellow paint
G now: shoelace, left / a dented kettle / a sister's name / one dry match / yellow paint
t=18 D meets I
D offers: one dry match
I offers: the number seven
I receives: one dry match
D receives: (already held)
D now: a sister's name / the number seven / one dry match
I now: the word tuesday / four stairs up / the number seven / one dry match
t=19 A meets J
A offers: unpaid parking
J offers: shoelace, left
J receives: unpaid parking
A receives: shoelace, left
A now: rope / yellow paint / a sister's name / a dented kettle / unpaid parking / shoelace, left
J now: four stairs up / the word tuesday / shoelace, left / unpaid parking
t=20 B meets I
B offers: the word tuesday
I offers: one dry match
I receives: (already held)
B receives: one dry match
B now: yellow paint / rope / unpaid parking / shoelace, left / the word tuesday / one dry match
I now: the word tuesday / four stairs up / the number seven / one dry match
t=21 H meets J
H offers: unpaid parking
J offers: unpaid parking
(null-pass — both already held the offered thing)
H now: a dented kettle / shoelace, left / unpaid parking
J now: four stairs up / the word tuesday / shoelace, left / unpaid parking
t=22 G meets I
G offers: yellow paint
I offers: one dry match
I receives: yellow paint
G receives: (already held)
G now: shoelace, left / a dented kettle / a sister's name / one dry match / yellow paint
I now: the word tuesday / four stairs up / the number seven / one dry match / yellow paint
t=23 C meets J
C offers: four stairs up
J offers: unpaid parking
J receives: (already held)
C receives: unpaid parking
C now: the number seven / a sister's name / yellow paint / rope / four stairs up / unpaid parking
J now: four stairs up / the word tuesday / shoelace, left / unpaid parking
t=24 E meets H
E offers: yellow paint
H offers: unpaid parking
H receives: yellow paint
E receives: (already held)
E now: one dry match / unpaid parking / rope / yellow paint
H now: a dented kettle / shoelace, left / unpaid parking / yellow paint
t=25 F meets G
F offers: rope
G offers: yellow paint
G receives: rope
F receives: yellow paint
F now: unpaid parking / one dry match / the number seven / four stairs up / rope / yellow paint
G now: shoelace, left / a dented kettle / a sister's name / one dry match / yellow paint / rope
t=26 D meets H
D offers: one dry match
H offers: yellow paint
H receives: one dry match
D receives: yellow paint
D now: a sister's name / the number seven / one dry match / yellow paint
H now: a dented kettle / shoelace, left / unpaid parking / yellow paint / one dry match
FINAL STATE
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A carries 6: rope / yellow paint / a sister's name / a dented kettle / unpaid parking / shoelace, left
B carries 6: yellow paint / rope / unpaid parking / shoelace, left / the word tuesday / one dry match
C carries 6: the number seven / a sister's name / yellow paint / rope / four stairs up / unpaid parking
D carries 4: a sister's name / the number seven / one dry match / yellow paint
E carries 4: one dry match / unpaid parking / rope / yellow paint
F carries 6: unpaid parking / one dry match / the number seven / four stairs up / rope / yellow paint
G carries 6: shoelace, left / a dented kettle / a sister's name / one dry match / yellow paint / rope
H carries 5: a dented kettle / shoelace, left / unpaid parking / yellow paint / one dry match
I carries 5: the word tuesday / four stairs up / the number seven / one dry match / yellow paint
J carries 4: four stairs up / the word tuesday / shoelace, left / unpaid parking
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DISTINCTNESS
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No two voices ended carrying the same set.
ACCUMULATION
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A: 6 fragments
B: 6 fragments
C: 6 fragments
F: 6 fragments
G: 6 fragments
H: 5 fragments
I: 5 fragments
D: 4 fragments
E: 4 fragments
J: 4 fragmentsLea el registro como un libro de adquisiciones: quién se encontró con quién, y qué cambió de manos.
Cierra “Crowds” (Multitudes). Las tres obras ensayan la multitud como tiempo, como espacio y como contacto; la obsesión se terminó a sí misma en tres.
Los roles están ligados a modelos en la configuración del estudio; los roles que imaginan nunca ven el portafolio terminado.